Thursday, July 2

Track: Marketing
Parallel Session 21 - Room N01
Chair: Leighton
Michela Addis, Gabriele Troilo (Università Bocconi), In search of the determinants of cultural sponsorship
Timothy Fisher, Stephen B. Preece (Wilfrid Laurier University), Determinants of corporate support for the arts: empirical evidence from Canada
Mia Stokmans (Tilburg University), Evaluating websites of cultural organizations

Track: Strategy
Parallel Session 22 - Room N02
Chair: Yamamoto
Fabrizio Perretti, Giacomo Negro (Università Bocconi), Local search, path dependence and entry strategies: the evolution of the US television broadcasting industry 1947-1975
Valeria Tallinucci, Frieda Raich, Harald Pechlaner, Dagmar Abfalter (University of Innsbruck), Cultural clusters in the Alps – The role of cooperation for positive cluster effects

Track: Consumer behaviour
Parallel Session 23 - Room N03
Chair: Snyder
Samu Forsblom (Sibelius Academy Helsinki), Customer quality in an arts organization
Isabella Soscia, Alex Turrini (Università Bocconi), Sense and sensibility: a study about the determinants of customer satisfaction in arts consumption

Track: Accounting and finance
Parallel Session 24 - Room N 04
Chair: Maurizio Dallocchio, (Università Bocconi)
Francesco Crisci (University of Udine), Management control of museums: the case of "Musei Provinciali of Gorizia"
Lloyd Williams (Whitecliffe College of Arts and Design), David Barry (Victoria University), Professional symphony orchestra management: a melting and melding of the polar caps

Track: Cultural economics and policy
Parallel Session 25 - Room N05
Chair: Anne Smith (Showa University of Music)
Gao Fujin (Shangai Jiao Tong University), Cultural industry in China: challenge and response
Shang-Ying Chen (National Sun Yat-sen University), Taiwan's current arts administration programs at the graduate level
Francesca Borgonovi (London School of Economics), The crowding effect in the American theatre sector

Track: Marketing
Parallel Session 26 - Room N01
Chair: Yves Evrard (HEC Montreal)
Sanna-Mari Suominen (Sibelius Academy Helsinki), Brand management in the arts sector. An overview of brand development and management issues in the non-profit arts sector
Philippe Drago (CERAG UPMF), The role of anticipation in the pre-experience evaluation of motion pictures

Track: Strategy
Parallel Session 27 - Room N02
Chair: Swift
Paola Dubini (Università Bocconi), In search of competitive advantage: authors and publishers in the multi-media world
Christine Burton (University of Technology Sydney), Theoretical considerations for creating competitive advantage for museums
Michael Pokorny, John Sedgwick (London Metropolitan University), The long-run characteristics of the US film industry

Track: Organization
Parallel Session 28 - Room N03crisci
Chair: Stefano Baia Curioni (Bocconi University)
Wendy Reid (York University), Leadership conflict resulting from combined leadership styles and cognitive values of dual CEO's in nonprofit arts companies
Eva Reussner (Freie Universität Berlin), From research quality to management issues: factors for the effectiveness of museum audience research

Track: Accounting and finance
Parallel Session 29 - Room N04
Chair: Giovanni Tomasi (Università Bocconi)
Francesco Dainelli (University of Firenze), The accounting information system of the museum
Johanne Turbide, Claude Laurin (HEC Montreal), Strategy and performance measurement in the arts sector: the case of performing arts
Angelo Curtolo (University of Venice Ca' Foscari), Manuela De Carlo (IULM), The strategic positioning of the major Italian opera houses

Track: Marketing
Parallel Session 30 - Room N01
Chair: François Colbert (HEC Montréal)
JoAnne Labrecque, Normand Turgeon, François Colbert (HEC Montreal), Le contexte relationnel des sorties de loisir culturel: résultats d'une étude empirique au Québec
Colette Dufresne-Tassé, D. Marin (University of Montreal), The general public as an advertising agent for a "blockbuster", and as a recruiting agent for museums
Pascale Marcotte, Laurent Bourdeau (Université Laval), Québec, site du patrimoine mondial : élément accrocheur de l'image touristique?
Lionel Ducros, Juliette Passebois (Université Montpellier III), Les effets de la gratuité sur la fréquentation des equipements culturels: Une réflexion à travers la théorie du  «don contre don»

Track: Late presenters
Parallel Session 31, 32, 33, 34 - Room N02, N03, N04, N05
Tuomas Auvinen (Sibelius-Academy), Falling subsidies diversifying strategies? An analysis of the current theatre political situation in Finland
Katja Lindqvist (Stockholm University), Exhibition enterprising project management issues in six European cases
Michael O'Hare (University of California Berkeley), Marisa McNee (University of Michigan), The second visit
Anne W. Smith (Showa University of Music), Serving and leading: a comparative examination of management values among performing arts service organization (PASO) models
Carlofilippo Frateschi (University of Padua), Art lending organisations in Europe: a comparison of the French, the German and the Dutch experience
Bonita M. Kolb (Lycoming College), Bridging the divide between art, ethnic culture, and community: a new model for community arts
Simon Roodhouse ( Bolton Institute), Essential facts: the nature of designer fashion and its markets
Ximena Varela (Temple University), Rafael Corredoira (University of Pennsylvania), Frustration and organizational change: the clash between neoliberal reforms and sustainability mandates in Latin America's heritage sector
Ailyn Villamarin-Kindipan (University of the Philippines College Baguio), Community museum management: a case study of the Ifugao Museum of the Philippines
Hadida Allegre (University of Cambridge), Defining and measuring "performance" in the film industry: an art and a business, really?